How many clouds can you see surman

Jurgen and Ole made their statement to un-couple music and image. Visible on YouTube for everyone, on a budget. Spoiler alert: stopforbud turns out to be plain Danish. Thanks for bringing to our attention this unusual and fine little film about a great musician. I wonder who the baritone sax player is at the end.

Is the Danish the same as the English — stop for Bud? So many questions! This was another that I bought in the earlys CD reissue series and scarcely played — it sounded thin and shrill, not helped by the fact that some of the music is…thin and shrill. Generally horrid pressings. I assume the Surman album was this? Once seen, never mistaken for anything else. I have the red inner sleeve mono version of this. The A side is pretty full on wailing noise proved to be very effective in blocking building noise outside our flat recently but the B side is much more subtle, and all the better for it.

There were some very well mastered tho quiet Vocalion reissues of these Deram LPs a few years back. Viv Stanshall we miss you.

Very funny, at times outrageous. Should be a treat. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account.

Notify me of new comments via email. Notify me of new posts via email. Music: John Surman was one of the leading lights of the British progressive jazz scene, which came of age in the decade between and Rate this:. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Articles Features Interviews Lists. Streams Videos All Posts. My Profile. Advanced Search. Review by Jason Ankeny. Track Listing. Galata Bridge. The spirit of Coltrane is felt throughout the disc, but Surman is a more economical though equally passionate player.

The two imply a broader context so well that one can almost hear a larger ensemble in their performance. The eighteen-minute, three-part "Event" is the highlight of the disc. Though it's ostensibly a quartet piece, Surman layers his horns to enhance the texture.

The attention to space in the first section foreshadows the leader's future association with ECM. After a powerful solo from Oxley, the group comes out swinging, but in the loosest possible way.

Taylor's accompaniment provides a notable contrast to the more impressionistic space he now occupies. Kudos to Vocalion for making this inspired session once again available. How we rate: our writers tend to review music they like within their preferred genres.

Learn more about our star rating system. John Surman: baritone saxophone ; soprano saxophone , bass clarinet 4,5 ; John Taylor: piano 1, ; Barre Phillips: bass 1, ; Tony Oxley: drums 1, ; Harold Beckett: trumpet, flugelhorn 1, 3 ; Malcolm Griffiths: trombone 1, 3 ; Mike Osborne: alto sax 1, 3 ; Alan Skidmore: tenor sax 1, 3 , flute 3 ; Alan Jackson: drums 2 ; Dave Holdsworth: trumpet 3 ; Chris Pyne: trombone 3 ; George Smith: tuba 3 ; John Warren: baritone saxophone, flute 3.

Year Released: Record Label: Vocalion. All rights reserved. Reset your password Click the eye to show your password. Home » Articles » Album Review Advertise. Showcase Buy Now.